Sunbury Pennsylvania was built on the banks of the Susquehanna River. The valley is subject to frequent foggy mornings. I caught this shot as the fog was rolling off of the town.
This is the main reason why I always carry my camera, especially when driving. In 30 seconds, this shot was gone.
Traveled to Woods Hole, MA this spring. Great place for photography.
Used a three shot bracketed stack to bring out the colors. An advantage to the stack is that it gives the illusion of a long exposure, a flat misty ocean. This is a good alternative with no ND filters and tripod.
Photography always comes down to; did you capture it right?
Blogs, websites, and Twitter are full of helpful hints and guidance on proper use of a DLSR. ISO, Aperture, Shutter Speed, White Balance, Histogram, Program Controls, Manual Controls are all significant aspects of making an image.
But a good photograph still depends on the underlying foundation of Composition and Perspective.
Last weekend I was walking the dog down by the tracks in town and came upon this scene.
The rail line is a spur connecting the regional line to a few businesses and the local university (Susquehanna University). Trains are uncommon, at perhaps few times a week, and the rail bed is in rough shape. One line is out of commission. The panorama above captures pretty well the location and environment. It is not particularly photogenic as a landscape or an architectural shot. Other than the dog, the only good aspect is the sky.
But the tuft of grass growing in the rail bed was interesting. However the background, at best, detracts from the shot and had to be removed. The angle from the shot above plows the grass into the tracks and bed. This necessitates it being tighter and lower to the ground.
I used a f1.8 35mm DX lens. That’s the rough equivalent of a 50mm lens on a full frame sensor. Fortunately these inexpensive primes are clear from side to side. Additionally, it let me open way up to render a nice soft bokah. Note that the for ground and background are blurred. At f2, only the grass is really in focus, which adds emphasis. My other walk about lens is a 18-105 mm 3.5-5.6. With that lens, I’d be able to shoot at maybe f4.8, which would have brought the ugly houses in the background into significantly sharper focus.
What did I do in Post? Not a whole lot. I’m a journeyman at best in LR and PS. At 35mm, I had to crop out the telephone pole and building on the left. I did have to warm the white balance, which was much to cool for the actual image and brought out the yellows/oranges a bit to make it pop. Finally, because it was a cloudy day, I shot at a half stop over and used the gradient tool to mute the clouds which were too bright. A higher resolution version is found here.
Hope you liked my process on this shot. I’ll be posting as regularly as life and employment allow.
I’ll be happy to field questions if you have any.
Night photography is challenging to do well and there are thousands of fantastic shots.
My half hearted attempt was really just an excuse to try out my new shutter release cable.
Shot at f3.5, 18mm, and 35 second. A little post production to liven it up.
I’ll update with a properly worked up photo later.
Feel free to comment.